CGB293 Largo
Description
For those times when a gentle, lyrical piece is desired, here is McChesney's transcription of the beautiful "Largo" from Vivaldi's Lute Concerto. The optional guitar playing the melody adds variety to the texture of the piece. A slow tempo and careful attention to the varied rhythms of the melody will make this a lovely offering for any setting.
Voicing: 3, 4 or 5 octaves handbells with optional guitar
Composer: Antonio Vivaldi (1678-1741)
Arranger: Kevin McChesney
Tune: "Largo" from the Lute Concerto
Level: 3
Related items you may be interested in:
CGA1313 Dona Nobis Pacem (Choral Score)
This arrangement of Dona Nobis Pacem was the first-prize-winner in an internet arranging contest created by internationally renowned cellist Yo-Yo Ma and sponsored by Sony Music and Indaba Music in 20...
This arrangement of Dona Nobis Pacem was the first-prize-winner in an internet arranging contest created by internationally renowned cellist Yo-Yo Ma and sponsored by Sony Music and Indaba Music in 20...
CGB188 Jubilance (2 or 3 octaves)
A number of bell techniques are employed in this lively and playful original composition. Energy abounds throughout the piece! Voicing: 2 or 3 octaves handbells Composer: Kevin McChesney Level: 3
A number of bell techniques are employed in this lively and playful original composition. Energy abounds throughout the piece! Voicing: 2 or 3 octaves handbells Composer: Kevin McChesney Level: 3
CGB394 Psalm of Gladness
Both treble and bass bells share melodic material in this memorable original piece. The use of thumb damps and plucks or mallets provides contrast. Voicing: #, 4, or 5 octaves handbells Composer: Ke...
Both treble and bass bells share melodic material in this memorable original piece. The use of thumb damps and plucks or mallets provides contrast. Voicing: #, 4, or 5 octaves handbells Composer: Ke...
CGB794 Transformation
Transformation makes extensive use of the singing bell technique. It will be especially effective in contemplative or meditative worship services where a mood of tranquility is desired. The popular si...
Transformation makes extensive use of the singing bell technique. It will be especially effective in contemplative or meditative worship services where a mood of tranquility is desired. The popular si...
CGRP11 The Rock of Faith (Instrumental Parts)
Kevin McChesney's stirring medley of hymns includes Faith of our Fathers (ST. CATHERINE), My Hope Is Built (THE SOLID ROCK), and Blessed Assurance (ASSURANCE.) The essential keyboard part may be playe...
Kevin McChesney's stirring medley of hymns includes Faith of our Fathers (ST. CATHERINE), My Hope Is Built (THE SOLID ROCK), and Blessed Assurance (ASSURANCE.) The essential keyboard part may be playe...
CGB157 Minuet
"Minuet" has a fine classical feel, yet can be easily learned in just a few rehearsals. It works well with either 2 or 3 octaves, and will fit nicely into any worship or concert setting. Voicing: 2 o...
"Minuet" has a fine classical feel, yet can be easily learned in just a few rehearsals. It works well with either 2 or 3 octaves, and will fit nicely into any worship or concert setting. Voicing: 2 o...
CGB179 Brahms Melody - 3-5 octaves
This is a very familiar tune skillfully transcribed for bells by Kevin McChesney. It is based on Brahms' "Waltz", Op 39, No 15. Ringers and listeners alike will enjoy the wonderful lilt and spirit of...
This is a very familiar tune skillfully transcribed for bells by Kevin McChesney. It is based on Brahms' "Waltz", Op 39, No 15. Ringers and listeners alike will enjoy the wonderful lilt and spirit of...
CGB195 Musette
The dynamic contrasts, the variety of stopped sounds, and the familiar melody combine to make this an enjoyable piece to play and to hear. Voicing: 3 or 5 octaves handbells Composer: Johann Sebastia...
The dynamic contrasts, the variety of stopped sounds, and the familiar melody combine to make this an enjoyable piece to play and to hear. Voicing: 3 or 5 octaves handbells Composer: Johann Sebastia...